‘Birdman,’ ‘Unbroken’ Lead MPSE Golden Reel Awards

Variety Staff

Mon, February 16, 2015 at 7:30 AM UTC

The 62nd Motion Picture Sound Editors Golden Reel Awards recognized features including “Birdman,” “Big Hero 6,” “Unbroken” and “Get on Up” at Sunday night’s ceremony at the Bonaventure Hotel in Los Angeles.

“Birdman” took the sound editing music award, while James Brown biopic “Get On Up” received the musical feature sound editing award. “Unbroken” won for dialogue/ADR, while “American Sniper” won for FX/Foley. “Big Hero 6″ took the sound and music editing award for feature animation.

The Golden Reel Awards recognize outstanding achievement in sound editing in 20 categories including feature films, long-form and short-form television, animation and documentaries.

Darren Aronofsky was honored with the Filmmaker award, with supervising sound editor Craig Henighan presenting,while the Career Achievement Award went to supervising sound editor Skip Lievsay, with Greg Orloff presenting.

MPSE president Frank Morrone said in his opening address, “Our goal is to improve the prestige and recognition of our members by educating the entertainment community and the general audience to the importance and artistic merit of the soundtrack.”

Full list of awards:

TV/FEATURE ANIMATION AND DOCUMENTARY

Best Sound and Music Editing: Television Animation

STAR WARS : REBELS

“Gathering Forces “

SUPERVISING SOUND EDITORS: Matthew Wood, David Acord

SOUND DESIGNER: David Acord

SUPERVISING FOLEY EDITOR: Frank Rinella

FOLEY ARTISTS: Kim Patrick, Frank Rinella

SOUND EFFECTS EDITOR: Ryan Frias

DIALOGUE / ADR EDITOR: Tony Diaz, MPSE

SUPERVISING MUSIC EDITOR: Sean Kiner

Best Sound and Music Editing: Television Documentary, Short Form

AX MEN

“Ax Marks the Spot”

SUPERVISING SOUND EDITOR / SOUND DESIGNER: Bob Bronow, MPSE

SUPERVISING DIALOGUE EDITOR: Doug Kern

SOUND EFFECTS EDITOR: Eddie Rodriguez

Best Sound and Music Editing: Television Documentary, Long Form

FOO FIGHTERS SONIC HIGHWAYS

“Seattle”

SUPERVISING SOUND EDITOR / SOUND DESIGNER /

SUPERVISING DIALOGUE EDITOR: Eddie Kim

SUPERVISING DIALOGUE / ADR EDITOR: Jeff Fuller

SOUND EFFECTS EDITORS: Eddie Kim, Justin Lebens

DIALOGUE / ADR EDITOR: Justin Lebens

SUPERVISING MUSIC EDITOR: Jeff Fuller

Best Sound and Music Editing: Feature Animation

BIG HERO 6

SUPERVISING SOUND EDITOR: Shannon Mills

SUPERVISING FOLEY EDITOR: Robert Shoup

SUPERVISING DIALOGUE EDITOR: Kim Foscato

SUPERVISING ADR EDITOR: Daniel Laurie

FOLEY ARTISTS: John Roesch, Alyson Dee Moore

SOUND EFFECTS EDITORS: Addison Teague, Nia Hansen, David C. Hughes, Jeremy Bowker

SUPERVISING MUSIC EDITOR: Dan Pinder

MUSIC EDITOR: Earl Ghaffari

FOLEY EDITOR: Jim Likowski

Best Sound and Music Editing: Feature Documentaries

WARSAW UPRISING

SUPERVISING SOUND EDITORS: Kacper Habisiak, MPSE, Bartosz Putkiewicz

SOUND DESIGNER: Marcin Kasiński ,MPSE, Dariusz Stanek

SUPERVISING FOLEY EDITOR: Henryk Zastró?ny

SUPERVISING DIALOGUE / ADR EDITOR: Filip Krzemień

FOLEY ARTISTS: Jacek Wi?niewski, Jacek Paj?k

SOUND EFFECTS EDITORS: Aleksandra Paj?k, Anna Kufirska, Filip Krzy?ykowski

DIALOGUE / ADR EDITOR: Tomasz Maci?tek

SUPERVISING MUSIC EDITOR: Agnieszka Putkiewicz

MUSIC EDITORS: Dariusz Podhajski, Anna Malarowska

ADR EDITORS: Stefan Gaw?owski, Maciej Wiejaczka, Jaros?aw Bajdowski, Mariusz Bielecki, Mariusz Andrysik

SOUND EFFECT EDITOR: Micha? Kosterkiewicz

Verna Fields Award in Sound Editing for Student Films

SEA ODYSSEY

Savannah College of Art and Design

SUPERVISING SOUND EDITOR: Beau Anthony Jimenez

SUPERVISING FOLEY EDITOR: Eolyne Arnold

FOLEY ARTIST: Melissa Terry

SOUND EFFECTS EDITORS: Jacob Flack, Nick Caramela, Matt Yocum

DIALOGUE / ADR EDITOR: Kai Paquin

COMPUTER/DIRECT-TO-VIDEO/FOREIGN FEATURE

Best Sound and Music Editing: Computer Episodic Entertainment (Webisode)

HALO NIGHTFALL

SUPERVISING SOUND EDITOR: Lee Walpole

SOUND DESIGNER: Andy Kennedy

SUPERVISING FOLEY EDITOR: Sarah Elias

SUPERVISING DIALOGUE / ADR EDITOR: Jeff Richardson

FOLEY ARTIST: Meltem Baytok

SOUND EFFECTS EDITORS: Matthew Mewett, Danton Tanimura

Best Sound and Music Editing: Game Cinematics

LEAGUE OF LEGENDS – ‘A NEW DAWN’

SUPERVISING SOUND EDITORS: Riot Games Audio Team

SOUND DESIGNERS: Riot Games Audio Team

SUPERVISING DIALOGUE / ADR EDITOR: Riot Games Audio Team

FOLEY ARTISTS: Gary Hecker, Gary Marullo

SOUND EFFECTS EDITORS: Riot Games Audio Team

MUSIC EDITORS: Michael Patti, Michael Barry

Best Sound and Music Editing: Direct-to-Video, Animation

STAR WARS : THE CLONE WARS

“SACRIFICE”

SUPERVISING SOUND EDITOR: Matthew Wood

SOUND DESIGNER: David Acord

SUPERVISING FOLEY EDITOR: Kevin Sellers

SUPERVISING DIALOGUE / ADR EDITOR: Steve Slanec

SOUND EFFECTS EDITOR: Jeremy Bowker

SUPERVISING MUSIC EDITOR: Dean Menta

MUSIC EDITOR: Sean Kiner

Best Sound and Music Editing: Direct-to-Video, Live Action

STONEHEARST ASYLUM

SUPERVISING SOUND EDITORS: Lon Bender, MPSE, Bill Dean, MPSE

SOUND DESIGNERS: Lon Bender, MPSE, Kris Fenske, MPSE

SUPERVISING FOLEY EDITOR: Rachel Chancey,

SUPERVISING DIALOGUE / ADR EDITOR: Bobbi Banks

FOLEY ARTIST: Ryan Collison

SOUND EFFECTS EDITORS: Patrick Cicero, Dino R. DiMuro, MPSE, Hector Gika, MPSE, Allan Zaleski, David Raines

SUPERVISING MUSIC EDITOR: John Carbonara

MUSIC EDITOR: Chad Birmingham

Best Sound and Music Editing: Feature Film, Foreign Language

THE LIBERATOR

SUPERVISING SOUND EDITORS: Jay Nierenberg, MPSE, Jonathan Wales

SOUND DESIGNER: Trevor Gates

SUPERVISING ADR EDITOR: Andrés Velasquez

FOLEY ARTIST: Vicki O’Reilly Vandegrift

SOUND EFFECTS EDITORS: Chris Diebold, Steven Iba, Charles Maynes, MPSE, Brent Findley

DIALOGUE / ADR EDITORS: Angela Hemingway, Todd Niesen, MPSE

SUPERVISING MUSIC EDITOR: Ramiro Belgardt

ADR EDITORS: Juan Diego Borda, Aleksandar Sasha Panich

FOLEY EDITOR: Zach Schmitt, MPSE

TELEVISION, SHORT FORM

Best Sound Editing in Television, Short Form: Music

TIE

ALMOST HUMAN

MUSIC EDITOR: Warren Brown, MPSE

FARGO

SUPERVISING MUSIC EDITOR: Skye Lewin, MPSE

Best Sound Editing in Television, Short Form: Dialogue/ADR

THE NEWSROOM

“Oh Shenandoah “

SUPERVISING SOUND / ADR EDITOR: Mark Relyea

DIALOGUE / ADR EDITORS: Edmund Lachmann, Julie Altus

Best Sound Editing in Television, Short Form: FX/Foley

GAME OF THRONES

“The Children”

SUPERVISING SOUND EDITOR: Tim Kimmel

SOUND DESIGNER: Paula Fairfield, MPSE

SUPERVISING FOLEY EDITOR: Brett Voss

FOLEY ARTISTS: Jeffrey Wilhoit, MPSE, Dylan Wilhoit

SOUND EFFECTS EDITOR: Bradley Katona, MPSE

TELEVISION, LONG FORM

Best Sound Editing in Television, Long Form: Dialogue/ADR

KLONDIKE

“Episode 1 “

SUPERVISING SOUND EDITOR: Lee Walpole

SUPERVISING DIALOGUE EDITOR: Jason Lawrence

SUPERVISING ADR EDITOR: Iain Eyre

Best Sound Editing in Television, Long Form: FX/Foley

HOUDINI

“Night 1”

SUPERVISING SOUND EDITOR: Michael J. Benavente, MPSE

SUPERVISING FOLEY EDITOR: Robert Ulrich

FOLEY ARTIST: Joan Rowe, MPSE

SOUND EFFECTS EDITORS: Michael Sana, Paul Diller, Tim Cleveland, Gary Megregian, MPSE, John Snider

FOLEY EDITORS: Rachel Corrales, Ryan Maguire

FEATURE FILM

Best Sound Editing in Feature Film: Music

BIRDMAN

SUPERVISING MUSIC EDITOR: Martin Hernandez

MUSIC EDITORS: Terry Wilson, Will Kaplan

Best Sound Editing in Feature Film: Music (Musical Feature)

GET ON UP

SUPERVISING MUSIC EDITOR: Curt Sobel

MUSIC EDITORS: Jordan Corngold

Best Sound Editing in Feature Film: Dialogue/ADR

UNBROKEN

SUPERVISING SOUND EDITORS: Becky Sullivan, MPSE, Andrew DeCristofaro, MPSE

DIALOGUE / ADR EDITORS: Laura Atkinson, Glynna Grimala

ADR EDITOR: Lauren Hadaway

Best Sound Editing in Feature Film: FX/Foley

AMERICAN SNIPER

SUPERVISING SOUND EDITORS: Alan Robert Murray, Bub Asman

SOUND EFFECTS EDITORS: Jason King, Mark Larry, Roland N. Thai, Kevin R.W. Murray

SOUND DESIGNER: Tom Ozanich

SUPERVISING FOLEY EDITOR: Michael Dressel

FOLEY EDITOR: Christopher Flick

FOLEY ARTISTS: Dan O’Connell, John T. Cucci, MPSE

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