David Gilmour Scores First No. 1 on Billboard’s Top Album Sales Chart With ‘Luck and Strange’

David Gilmour lands his first No. 1 on Billboard’s 33-year-old Top Album Sales chart, as his first studio album in nine years, Luck and Strange, debuts atop the tally dated Sept. 21. The set, which also marks his third top 10-charting effort on the list, sold 30,000 copies in the U.S. in the week ending Sept. 12, according to Luminate.

Gilmour has reached the Top Album Sales chart seven times as a soloist, beginning with 2006’s No. 6-peaking On an Island. He reached the top 10 a second time with 2015’s No. 4-peaking Rattle That Lock.

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Also arriving in the top 10 of the latest Top Album Sales chart are the newest releases from TZUYU, George Strait, Paris Hilton, LL COOL J and xikers.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of Luck and Strange’s first-week sales of 30,000, physical sales comprise 25,000 copies (14,500 on CD; 8,500 on vinyl and about 2,000 on Blu-ray Audio) and digital download sales comprise 5,000. The album’s first-week vinyl sales were bolstered by its availability across four variants, helping it debut at No. 1 on the Vinyl Albums chart. The set was also a sturdy seller at independent record stores, with nearly 4,500 sold through that retail sector. It debuts at No. 2 on the Indie Store Album Sales chart.

Luck and Strange additionally starts at No. 3 on Top Rock Albums, No. 4 on Top Rock & Alternative Albums. Top Rock Albums and Top Rock & Alternative Albums rank, respectively, the week’s most popular rock albums, and rock and alternative albums, by equivalent album units.

On the Billboard 200, Luck and Strange arrives at No. 10, marking Gilmour’s third top 10 set on the ranking. Gilmour is also a member of Pink Floyd, and all 10 of Pink Floyd’s top 10-charting albums on the Billboard 200 (from 1973’s No. 1 The Dark Side of the Moon through 2014’s The Endless River) reached the region after Gilmour joined the band in 1967.

TZUYU sees her debut solo project abouTZU arrive at No. 2 on Top Album Sales with nearly 23,000 copies sold. The TWICE member’s album sold 22,000 physical copies (16,000 on CD and 6,000 on vinyl) and about 1,000 digital downloads. The set’s opening-week sales was bolstered by its availability across 11 CD variants and two vinyl variants, all containing branded paper ephemera such as photocards, stickers, and posters.

George Strait’s Cowboys and Dreamers debuts at No. 3 on Top Album Sales with 22,000 copies sold. The set was available across three CD variants (two containing branded paper ephemera), a deluxe CD boxed set containing a branded T-shirt, three vinyl variants and a digital download.

Paris Hilton’s second album – and first in 18 years – Infinite Icon, debuts at No. 4 on Top Album Sales with 16,000 copies sold. Sabrina Carpenter’s Short n’ Sweet slips 2-5 with 15,000 sold (down 45%). LL COOL J’s first studio album in over 10 years, THE FORCE, arrives at No. 6 with 12,000 sold, bolstered by the availability of signed editions.

Chappell Roan’s The Rise and Fall of a Midwest Princess moves down 5-7 (11,000 sold; down 17%), LE SSERAFIM’s CRAZY falls 1-8 in its second week (10,000; down 74%) and Stray Kids’ former leader ATE dips 6-9 (8,000; down 24%).

Closing out the top 10 of the latest Top Album Sales chart is xikers’ House of Tricky: Watch Out, 4th Mini Album, debuting at No. 10 with nearly 8,000 sold. It’s the third top 10-charting set for the group. Its first-week sales were largely driven by CD sales, enhanced by the set’s availability across 18 variants (all containing branded paper ephemera).

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